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There are a brace of ‘modern’ remixes of the main theme: Dope On A Rope US Remix, De Few 2 Smoking Barrels Remix, Deadly Avenger and Breakneck Dirtbox – most of which retain the vibe, the first three are great but the last spoilt by expletive heavy dialogue from another movie altogether ( or the re-make possibly, which i haven’t seen to be honest.) It brings together the movie score, jazz and a vibe which is sinister, yet pop, and has influenced music makers from ‘post-punk’, dance music and miscellaneous, ever since. So much of the music I write about could be described as ‘cinematic’. And you can hear soundtrack highlights from the likes of Diamonds, Fear Is The Key, The Stone Killer and The Black Windmill on Disc 3. Disc 2 combines other incidental music from the film with single mixes and remixes and other rarities. From the opening bars of the ‘Get Carter’ theme, the music underpins the tense drama, endorsing an atmosphere which was both thoroughly British while also reflecting the more sophisticated urban landscapes portrayed in ground-breaking US films like The French Connection.ĭisc 1 re-presents the original soundtrack, with the addition of ‘Hallucinations’ (which graced the soundtrack but not the LP). Released in 1971, directed by Mike Hodges and starring Michael Caine, the film has grown in stature over the years – fuelled in great part by the amazing soundtrack by British jazz maestro Roy Budd. This new and improved edition of the original GET CARTER soundtrack offers three CDs of music from Roy Budd – the first two devoted to the film’s soundtrack with a stack of bonus tracks and the third to the best of Roy Budd’s other scores. The musicians performing the music included members of the Dudley Moore Trio and a future collaborator with the Clash and Blockheads, Mickey Gallagher.

The book, which is part of the CD package has ‘a new, 15,000 essay from film soundtrack writer Charlie Brigden’ and contains everything you need to know about the novel (Jack’s Return Home), its author (Ted Lewis), the adaptation for the big screen and of course the soundtrack and other work of jazz genius Roy Budd.

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But it is still a great movie about revenge and the male ego (and not a guide to how to live your life). The main theme has been covered by the Flaming Stars, Jah Wobble, the Horrors and others.Ī feminist reappraisal of the film would conclude that Get Carter is deeply misogynist. The music too has been inspirational to many bands & artists, both trip-hop and garage-bands, notably perhaps Barry Adamson and Portishead. Influencing a whole raft of later gangster movies, including Tarantino’s oeuvre. The deliver of the dialogue is as memorable as the action, and the music was perfect too. I was 12, so it’s perhaps not surprising that Britt Eklands famous scene is one of the first to spring to mind, along side the beatings and the brutal climax.

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‘Get Carter’ was first shown on TV in 1976. Simply the greatest original soundtrack album ever – as far as boys of a certain age are concerned – says Ged Babey, a man with eyes like piss-holes in the snow…